SUPREMA

I wrote a serie of tracks called "Tape" as a reference to the machinery that dr. William Moulton Marston invented such as the lie detector. You can find sound references to the different mechanical parts of those machines. I also used the sound of piano hammers as the personification of dr. William Moulton's voice/mind. The track "Nutter" was my take on illustrating the frenetic journey of a lost mind leaning towards schizophrenia. Finally, I remixed one of my earlier track "False Truths" to support the climax of the show.

Spotify album link: https://open.spotify.com/album/0EjQX5im76nt8EcbwVILAo?si=k5KPYil3RR6Ln2hWkwZe_g

Talking about the show, read more below:

The performance was inspired by the character of Wonder Woman, a female ideal created by dr. William Moulton Marston, professor of psychology. A female ideal born through a man’s perspective, a female ideal knitted by its creator into two women: his wife and lover, a female ideal that is the “fruit” of a polygamous relationship. Thanks to the psychological grounding of the character, she is the only superhero to be truly popular to this day. Equality has become a symbol of truth and feminist propaganda. An attractive and strong character with which millions of women can identify, know themselves, as it has many qualities that can be found in everyone individually.

The production is the interpretation, processing and questioning of the character from a female perspective. In terms of her subject matter, she does not speak of her oppression and does not discuss the issue of female existence. Rather, it shows a grotesque world where reality slips into fantasy and returns to real space. It examines the layers of our personality through our desires, sexuality, and fears. What does female power really mean? Are the two actors one and the same or two separate entities with different desires and needs? Can the “perfect”, the “real” or the complementarity necessary for this be realized in one person?